SELECTED
My name is Eleftheria Tzirki.
I'm a graphic designer, visual artist and researcher, and here is some of my work so far.
WORKS
My name is Eleftheria Tzirki and this is a perspective of my work so far.
I'm a graphic designer, visual artist and researcher.
Sometimes, I also make jewelry and other objects.
ABOUT ME
MYSELF AND I
I was born in Nicosia in 1991. I graduated with an Advanced Master's degree in Research in Arts and Design (2024) from the Sint Lucas School of Arts in Antwerp. My academic background includes an MFA in Arts and Design from the Academy of Arts and Design in Wrocław (2019), an MA in History and Theory of Arts (2017), and a BA in Multimedia and Graphic Arts from the Cyprus University of Technology (2013). My work engages with interdisciplinary, research-based artistic projects that address environmental and socio-political issues. My recent work focuses on alternative networks of social exchange and interaction as active forms of resistance.

Sint Lucas Antwerpen, 2024
This bitter taste on the tongue
Sint Lucas Antwerpen, 2024
This bitter taste on the tongue

This bitter taste on the tongue comprises three installations, each associated with texts addressing community, nature, belonging, traditions, time, memory, ageing, and change. The installations serve as meeting spaces designed to facilitate shared experiences. These spaces accommodate both individual and collective engagement, including conversation and periods of silence. Ceramics, writing, live reading, and coffee drinking are employed to generate layered sensory experiences through spatial and temporal transitions. The project engages with social participation as an active, complex process of bodily experience and aesthesis, supported not only by human interaction but also by the presence of other beings, such as communal gatherings around a tree. The traditional Cypriot coffeehouse, kafenes, is utilized as a conceptual framework for unmediated informal exchanges, enabling alternative forms of gathering, relating, remembering, and experiencing. By emphasizing pluriversity, collectiveness, and social participation, the project aims to foster the imagination of alternative, interconnected networks of exchange and communication.

















ASP Wroclaw, 2021
Ecotones of the green line
Ecotones of the Green Line examines the socio-ecological landscape of the Cyprus Buffer Zone, also referred to as the Green Line or Dead Zone, which divides the island in half. The project conceptualizes this intermediary territory as a unique entity, a critical space for interaction and potentiality. This approach challenges anthropocentric interpretations that characterize the Buffer Zone as absent or empty, instead prioritizing the investigation of nonhuman experiences within the divided landscape. The presence of a Cyprus mouflon population in the village of Variseia serves as a metaphor for vitality and aliveness within the so-called Dead Zone. This representation seeks to reframe the prevailing negative perception of the area, which is typically associated with war and conflict, by highlighting its ecological significance for other than human beings. The project comprises a short film, an audio recording, and a natural mouflon horn modified for use as a sound instrument.











Nicosia, 2020
Ground into dust
Nicosia, 2020
Ground into dust

The project "Ground into Dust" examines the political and social dynamics of Cypriot Greek, a variety of Modern Greek spoken by the Greek Cypriot population, certain older generations of the Turkish Cypriot community, and the Greek Cypriot diaspora. While Cypriot Greek has been shaped by multiple languages due to the island's history of conquest, this research emphasizes the reciprocal influence between Greek and Turkish languages resulting from the historical coexistence of Greek Cypriots and Turkish Cypriots prior to the division of Cyprus. Particular attention is given to words shared by both communities that possess identical or similar meanings. Cypriot Greek functions as the vernacular language in daily life, in contrast to Modern Greek, which serves as the formal state language. "Ground into Dust" comprises a collection of words inscribed on walls and other surfaces in the divided city of Nicosia, alongside to the United Nations Buffer Zone. These inscriptions address issues of decay, displacement, and the absence of both physical and cultural communication between the two sectors of the city and, subsequently, the two ethnic communities. The project seeks to underscore the shared cultural and linguistic heritage of these communities and highlight the prolonged lack of communication spanning more than six decades. The words were created using pigments derived from stones collected in Lefka, a location near a Buffer Zone checkpoint and in proximity to the former Skouriotissa Copper Mine, a site of significant historical importance in Cyprus. Stones were ground into thin powder and elaborated into pigments. As the natural pigments dried and faded, the inscriptions gradually returned to dust, symbolizing the ongoing political instability in Cyprus and the fragile nature of peace and coexistence.










